This is a suspense drama about Esther, Lamar, and Zed, three friends who live together. Tired of having financial problems, they decide to hit it big somehow. They visit Armand, a former 'Godfather' who has now retired. They soon realize that, in contrast to their world of easy living with few responsibilities, Armand's world belongs to the underground with its own code of behavior. Their involvement in that world brings them face to face with events they had never imagined before.

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Images of blurred landscapes fade into each other. Apparent rock formations reveal themselves only at second glance as collages of human body parts. Browsing further through the family album uncovers something that is rather rarely found in such private pictorial chronicles: the backs of people’s heads. Grandparents, aunts and friends do not, as usual, look out of the album and the then at the viewer in the now but into the mysterious depths of a neon-lighted corridor. Its architectural elements form a filmic labyrinth behind whose closed doors animated collages of arms and hands perform everyday gestures in a ghost-like pantomime. 　　Moïa Jobin-Paré opens found private photo albums. The connections and stories between the pictures remain as abstract as that which the photographs show is concrete. Poetic spaces of interpretation open up. The Canadian artist offers a special reading. She scrapes individual elements or patterns off the analogue photographs and animates these “painterly” edits in a space of washed-out sounds. Scratches and white dots spread mushroom-like on the physically dissolving images. 　　源自：https://www.dok-leipzig.de/en/film/families-albums/programm

Images of blurred landscapes fade into each other. Apparent rock formations reveal themselves only at second glance as collages of human body parts. Browsing further through the family album uncovers something that is rather rarely found in such private pictorial chronicles: the backs of people’s heads. Grandparents, aunts and friends do not, as usual, look out of the album and the then at the viewer in the now but into the mysterious depths of a neon-lighted corridor. Its architectural elements form a filmic labyrinth behind whose closed doors animated collages of arms and hands perform everyday gestures in a ghost-like pantomime. 　　Moïa Jobin-Paré opens found private photo albums. The connections and stories between the pictures remain as abstract as that which the photographs show is concrete. Poetic spaces of interpretation open up. The Canadian artist offers a special reading. She scrapes individual elements or patterns off the analogue photographs and animates these “painterly” edits in a space of washed-out sounds. Scratches and white dots spread mushroom-like on the physically dissolving images. 　　源自：https://www.dok-leipzig.de/en/film/families-albums/programm

Leo is the ex-boyfriend of businessman Roman Pretty's middle daughter Nikki, who still works and lives with the family. Nikki's new boyfriend, Seb, has a shady past, which Leo tries to reveal to the Pretty family. His best mate Jase is married to the eldest sister, Jenny, and is constantly attempting to get away from her and their new-born daughter. Meanwhile, Japanese chef Mr. Hokkasawa loses his job at a restaurant after a complaint from Roman, and takes the job of the Pretty family's gardener in a plot to kill him as revenge. However, he falls for Roman's youngest daughter, Kelly.

Romans Road is a zany heartfelt comedy about five women living on a secluded military base. Together they learn to enjoy the journey and seize each day. There goes the neighborhood!

A group of lifelong mob movie extras mount a production of Shakespeare's Julius Caesar in their local Staten Island theater in order to finally get some speaking roles. But the theater is the secret hideout of a real-life gangster who fancies himself an actor, and whom the FBI are hunting for the recent murder of a Broadway producer. The Feds insert their own undercover agent to audition for the role of Cassius, seeking to determine who is the real gangster among a cast of make-believe criminals. All the while, the oblivious cast seek only to prove to themselves, their families, and friends that they are more than just extras.

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The TARDIS crew take up residence near Rome in 64AD, where Ian and Barbara are kidnapped by slave traders, and the Doctor's imitation of Maximus Pettulian sees him taken to the court of Emperor Nero where he inadvertently plays a part in deciding the course of history...